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Post by Jeremy on Dec 7, 2022 6:58:25 GMT -8
Is it December already? Happy [insert preferred holiday here], everyone! Metacritic has been compiling the critics' Best of 2022 lists again, and while I continue to question their scoring methodology, this looks like one of the more interesting years on record. A lot of very good shows premiered this year (and at least one great series came to an end), so the #1 spot is anyone's game at the moment. And as always, I'll have my own Top 10 published later this month, just as soon as I finish catching up on another eight or nine shows. Good year for TV, definite improvement over 2021.
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Post by ThirdMan on Dec 7, 2022 13:22:25 GMT -8
I notice Sepinwall has Reservation Dogs at #1 on his list. As I'm a big fan of his #2 (Better Call Saul), #3 (Atlanta) and #4 (Barry), I'll have to give RD another look, the next time I have Disney-Plus. I did watch all of The Bear when I had that streaming service for a month, and it is indeed a very stressful series. Not entirely to my taste, but well-executed on its own terms.
Anyways, though I haven't watched a ton of different TV series, amongst the shows I have watched, these would probably be my favourites of 2022 (in alphabetical order):
Atlanta Barry Better Call Saul Better Things Hacks Rick and Morty Russian Doll What We Do In The Shadows
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Post by Jeremy on Dec 7, 2022 15:57:12 GMT -8
All good picks, though I expect only 3-4 of them will make my Top 10.
Reservation Dogs is really good, though I think I'm still a touch cooler on the series than the critics. I disliked the first half of S1, and while the show has since delivered an abundance of memorable episodes, some of the weirdness just feels weird for the sake of it. (Particularly when it comes to some of the supporting characters.) Still, I love how each episode has its own distinct identity, and it's certainly one of the more interesting experimental shows on TV.
And I'm halfway through The Bear, and really digging it. Reminds me a bit of what the Safdies did with Uncut Gems, using tight camerawork and excessive profanity to make every scene as tense and stressful as possible. It's been such a great year for Hulu shows (including FX on Hulu), and this is no exception.
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Post by ThirdMan on Dec 7, 2022 22:41:41 GMT -8
Oh, I should've offered an honourable mention to Interview With The Vampire. It's good pulpy fun, with tremendous art direction, and Lestat and Claudia are exceptionally well-cast. Eric Bogosian was an inspired choice as the interviewer, as well. I'm sure it probably turned off a significant number of (homophobic) viewers on account of its overt gay content, but I'm glad that it's fully owning that component of the narrative: it's 2022, and there's no reason to dance around it. Plus, it helps to differentiate it from the (IMO, inferior) film version, giving it more thematic levels to play with.
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Post by otherscott on Dec 8, 2022 6:23:47 GMT -8
I like Reservation Dogs as well, I'm about halfway through Season 2. I'm not quite sure it's number 1 material with the level of television that has been offered this year. I don't mind the weirdness for the sake of weirdness but there's definitely times when the show seems to drag a little bit.
I also have a lot of shows to catch up on before I post my list, so it may be January or February for me.
I also still have 4 episodes of Better Call Saul to go, and I think "Point and Shoot" might be my favourite episode of the series, which probably is not unrelated to the fact it is also the most Breaking Bad the series gets.
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Post by Jeremy on Dec 8, 2022 6:54:50 GMT -8
I also have a lot of shows to catch up on before I post my list, so it may be January or February for me. See, logic would dictate that I also wait until January to post my "best of the year" lists, especially since there may yet be some great stuff that won't be released till mid/late December. (This is an especially large problem with the "best films" picks, since many of the year's most acclaimed movies don't get wide release till year's end.) But my FOMO headspace still has me posting everything in December. Oh well.
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Post by Jeremy on Dec 12, 2022 15:43:17 GMT -8
So I've assembled my (tentative) picks for the top 10 shows of the year. It splits pretty evenly down the line - five cable, five streaming. Five half-hour shows, five hourlong shows. (Runtimes can be quite elastic during the streaming era, but I consider pretty much any show with an average episode runtime below 40 minutes to be a "half-hour" series. That's not an official designation, but hey, Sherlock Jr. is technically a feature film. But I digress.)
Will post once I've written it all up. Meanwhile, here are my 10 favorite TV episodes of 2022, alphabetically by show:
Andor - "One Way Out" Atlanta - "The Goof Who Sat By the Door" The Bear - "Review" Better Call Saul - "Plan and Execution" The Dropout - "Old White Men" The Rehearsal - "The Fielder Method" Reservation Dogs - "Stay Gold Cheesy Boy" Smiling Friends - "Mr. Frog" Undone - "Rectify" What We Do in the Shadows - "Go Flip Yourself"
As for worst shows of the year - the most mediocre shows I watched all the way through were mostly the Marvel and Star Wars shows on Disney+ (only Andor rose above average). Book of Boba Fett was probably the weakest of the bunch; She-Hulk was bad too, but at least managed to be entertaining.
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Post by otherscott on Dec 12, 2022 21:33:20 GMT -8
I didn't do an episode list this year, though I definitely really liked "Stay Gold, Cheesyboy" which I watched today. Might be recency bias, but I think "Point and Shoot" from Better Call Saul would probably take my best episode.
As for worst shows, nothing was worse for me this year than The Boys. I didn't ultimately watch a lot of bad shows though, I started and didn't get very far in Tokyo Vice, and Love, Victor is wildly uneven from episode to episode but I still like watching it. I'm currently watching Stranger Things right now which may end up near the bottom if the last half really drags.
Also, I've never even heard of Smiling Friends, and I thought I was paying some attention this year to what was airing.
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Post by Jeremy on Dec 13, 2022 8:19:05 GMT -8
The Boys was certainly one of the weaker shows I watched this year - it says something when the animated anthology spinoff is more entertaining than the original series - though I still didn't think it was quite bad. It does raise my concerns about whether the series will be able to stick the landing, and also that said landing should probably come sooner rather than later. But given that there's a live-action spinoff coming next year, I expect Amazon wants to keep the series around for a while (particularly since they can't survive on Rings of Power alone). Smiling Friends is a very funny animated series that flew under the radar for most folks, even in TV circles (in part since Adult Swim dropped all the episodes in one night, with little fanfare). I wrote a little about it on the animation thread. It's the peak of Internet-era trollism in TV form, blending creative animation with random "gotcha!" moments that create a sense of chaotic silliness. Probably not for every taste, but it made me laugh harder than just about anything else this year. And an easy watch, with just nine episodes at 11 minutes each.
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Post by Jeremy on Dec 16, 2022 12:33:43 GMT -8
Due to technical difficulties, my Best TV of 2022 piece will not be able to meet deadline this week. I will be posting it sometime next week. (The Best Films of 2022 will be posted in the last week of December.)
Interestingly, per Metacritic, Better Call Saul is the consensus favorite, but Severance is appearing on the most year-end Top 10 lists. It seems to be courting the broadest support overall, despite concluding its season back in early April.
It's possible that, if you ran the numbers in a more weighted fashion (i.e. assigning more value to a #3 pick than a #4 pick and so forth), Severance would be ahead of BCS. Heck, it's even possible that Andor or The Bear would be ahead. Very competitive field here - maybe I'll find some time to crunch the numbers once the year is over.
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Post by ThirdMan on Dec 16, 2022 13:40:18 GMT -8
I take all of these TV lists with a heaping mound of salt anyways, given critics' tendencies to take high-quality long-running shows for granted, often by overemphasizing "hot new shows" that tend to burn out quickly. Like, I don't care if someone found Season 3 of Atlanta a bit of a mixed-bag (on account of the anthology episodes) or not: it finished so strongly in its final season that I don't believe for a second that most of these other shows compare favourably to it overall.
For instance, I think The Bear was effective enough as a one-season premise, but I doubt it's going to sustain its appeal long-term, because many of the character interactions, even in the first season, are more irritating than compelling (sometimes the intent, but it has a short shelf-life as drama, IMO). As for Andor, franchise-related shows often go off-the-rails before too long, and by most accounts, it only got really good in its back-half. I think they'll basically prove to be flavour-of-the-months.
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Post by Incandescence 112 on Dec 17, 2022 13:30:52 GMT -8
I didn't do an episode list this year, though I definitely really liked "Stay Gold, Cheesyboy" which I watched today. Might be recency bias, but I think "Point and Shoot" from Better Call Saul would probably take my best episode. As for worst shows, nothing was worse for me this year than The Boys. I didn't ultimately watch a lot of bad shows though, I started and didn't get very far in Tokyo Vice, and Love, Victor is wildly uneven from episode to episode but I still like watching it. I'm currently watching Stranger Things right now which may end up near the bottom if the last half really drags. Also, I've never even heard of Smiling Friends, and I thought I was paying some attention this year to what was airing. I said this when it came out.....I could not get through an episode of Stranger Things S4. Stranger Things fascinates me as a whole, actually, in that it's glued together by a bunch of superior parts to make something mediocre. 80s nostalgia has been done better, coming-of-age stories have been done better, and it overall doesn't scratch the work of Spielberg, Hughes, or King in its most direct inspirations.
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Post by Jeremy on Dec 17, 2022 16:38:39 GMT -8
I take all of these TV lists with a heaping mound of salt anyways, given critics' tendencies to take high-quality long-running shows for granted, often by overemphasizing "hot new shows" that tend to burn out quickly. Like, I don't care if someone found Season 3 of Atlanta a bit of a mixed-bag (on account of the anthology episodes) or not: it finished so strongly in its final season that I don't believe for a second that most of these other shows compare favourably to it overall. For instance, I think The Bear was effective enough as a one-season premise, but I doubt it's going to sustain its appeal long-term, because many of the character interactions, even in the first season, are more irritating than compelling (sometimes the intent, but it has a short shelf-life as drama, IMO). As for Andor, franchise-related shows often go off-the-rails before too long, and by most accounts, it only got really good in its back-half. I think they'll basically prove to be flavour-of-the-months. I try my best to look at all the shows on a year-by-year basis when I'm making my annual lists, though I admit it is tempting to focus more on fresh new shows that are doing new and interesting things, rather than ongoing shows that continue to do their usual interesting things as they did before. With Atlanta, it's an unusual case of trying to weigh two seasons at once. Had the show only aired Season Three this year, it would be off my list entirely (and I say this as someone who liked a couple of the anthology episodes! I just found the general narrative to lack the distinct identity and purpose of the other seasons); had it only aired Season Four, it would easily be in my top 5. So I'm left trying to split the difference between two seasons of markedly different quality while reconciling them against other shows that only aired one (very good or great) season this year. As for the new 2022 debuts that may fizzle out in the future, the one I'm most concerned about is Severance - loved S1, but it's absolutely the kind of show that could drop hard in quality if the puzzles don't yield satisfactory answers, or if the character arcs start running in place to sustain the mystery. The Bear seems more malleable, though it will be tough to keep the same level of stress-inducing chaos across multiple seasons. I don't really have concerns about the future of Andor, because despite that show's problems (boring title character, bloated runtime), the writers have evidently planned things out in advance, and have already confirmed that Season Two will be the show's last. It will apparently include multiple time-jumps leading to the events of Rogue One, which I'm not thrilled about, but the show has proven to be one of the more interesting and effective Star Wars productions over the last couple decades, so I'll definitely stick around and see where it goes.
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Post by ThirdMan on Dec 19, 2022 16:00:03 GMT -8
Well, I'm glad to hear that Andor is only going to have a short, focused run. That said, I think it's about time for these Star Wars series to stop playing around in the time period between the prequels and original trilogy, or the OT and newest sequels, and start telling new (timeline) stories altogether. Alas, I imagine that probably won't happen, as they'll save "present-day" stories for the big screen, but that invariably makes the TV series feel like they're in a sort of stasis.
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Post by Jeremy on Dec 20, 2022 8:54:49 GMT -8
The paradox of the Star Wars TV shows is that the stories focusing on the most interesting characters are by design the safest and most risk-averse, because Disney doesn’t want to tarnish their brand. Obi-Wan and Boba Fett are two of the most popular characters in the franchise, but their respective shows were mediocre in part because Disney can’t risk doing anything really new or unexpected with them (and because it’s easier to just toss out the fanservice breadcrumbs). On the other hand, there is no built-in fanbase for Cassian Andor, so his show has more freedom to be dark and ambitious, since it mainly focuses on minor characters in the IP, and existing on the fringes allows it to explore a lot of grey area questions about the Empire and the Rebellion.
As for the timeline of the shows, yeah, I assume we won’t be getting anything that takes place post-Episode IX until Disney has determined what the franchise’s big-screen future is. And that could take some time; would be surprised if we got another Star Wars film on the big screen before 2025.
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